PART ONE:  In example one, a sequence is built from the scale tones of an "F Major" Pentatonic scale. It operates in straight-time feel across a series of eighth-notes. The sequence pattern involves groups of three scale tones.

Example two involves Minor Pentatonic in the key of "G Minor." The note groups of this sequence apply an eighth-note triplet rhythm in a compound group of three tones. 

This sets the impression of a six-note sequence descending through the tones of a "G Minor" scale. The progression is covered using two sequenced phrases that are two measures long for each. 

PART TWO:

In example three, a key of "C Minor" sequence uses the popular four-note sequence combination. This note grouping is one of the most popular sequences. However, in this example, the 4-note grouping does not travel linear through the scale tones. Instead it jumps over a scale tone in its second sequence.

Example four, is organized around the application of a sequence based upon the perfect 5th interval. The example is set in the key of "G Major." The sequence operates in two parts across a three measure phrase. Measure one introduces the first part which applies a 5th's sequence between the 4th and 3rd guitar strings. The sequence approaches a scale tone from below, then travels up a 5th, i.e., "B, C, G," to "A, B, F#," to "G, A, E." 

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