Guitar Lesson: Pitch Axis Theory & Modal Harmony



Andrew Wasson of Creative Guitar Studio answers a viewers question:

Q: I have been searching for a good lesson about a concept called "Pitch Axis Theory", but I cannot find one that explains how to use it. Most of the stuff Ive found just goes on about Modes, but doesnt really cover how the shredder guys and the fusion guys actually use this concept musically. Can you please do a lesson about this topic, I really want to know more about it!
- Thanks, Joey - New York, NY.

A: Thanks for writing in! Pitch Axis Theory is essentially playing modal. There is a bass pitch which remains static and under that pitch we can perform scales of different types. There can even be another layer of harmony present under the bass pitch. This can influence scale types that can be used to create melody.

The complete lesson article for this video, (along with an MP3 audio jam track of the progression heard at the start of the video), is available on the Creative Guitar Studio lessons website.

Guitar Lesson: Mixolydian Scale in Classic Rock



Q: I was wondering if you can cover the sounds of Mixolydian as its used in Rock styles. I like the way bands like Guns N' Roses and Skid Row use this mode to make their music. But, I dont understand how to write chord progressions using this mode applied to a style like classic rock.

Thank you
Thomas, Germany

Thanks for writing in! There is a unique sound in classic rock played by artists like Neil Young, Guns N' Roses and many others that uses the Mixolydian mode. In the video lesson I will cover two popular chords that when used in major progressions will give you the sound you are after.

The complete lesson article for this video, (along with an MP3 audio jam track of the progression heard at the start of the video), is available on the Creative Guitar Studio website.

MUSIC THEORY: The Harmonic Minor Scale




Q: I am a new subscriber and your lessons are helping me a lot... I cannot thank you enough!

My question is, Can you please cover the Harmonic Minor Scale. I keep hearing about how it is so widely used but after playing it, I cannot seem to get it to sound good over anything. I mostly would like to know where and when I am supposed to be using it. My favorite style of music is the contemporary jazz style. I purchased your album off of your web site and I'm sure that I hear you use it in your music. By the way I love your album. Hope you make another one soon.

Thanks,
Zack Paris, France
_______________________________________


THE HARMONIC MINOR SCALE:
This scale is a form of Minor which contains a raised seventh degree. The raised seventh offers a leading tone for strong resolution toward the scales tonic. This makes resolutions occur with far greater pull than is possible with the Natural Minor scale. It is often used in shred guitar music by players like Vai and Malmsteen.

The video explains the scales' basic structure and design. Viewers are shown two fingerboard patterns off of the sixth and fifth strings. Then, there is a thorough explanation of the harmony and how chords can be used in progressions to utilize the sound of Harmonic Minor scale.

The complete lesson article for this video, (along with an MP3 audio jam track of the progression heard at the start of the video), is available on the Creative Guitar Studio website.

Watch the "Chord Families Video Lesson" that was mentioned during the video.

Chord Families & Diatonic Substitution



Chords may be grouped into families based upon the principle chords found in harmony. These principle chords include the Root, Fourth and Fifth. (Notated as: I, IV, V).

In the key of C Major, we have the Root, (or the I chord), occurring as the C Major chord. The fourth step chord, (or the IV chord) occurs as the F Major. And, the fifth step chord, (or the V chord), presents as G Major.

These families are named as the; Tonic, (I), Sub-Dominant (IV), and the Dominant (V). The notes of each family combined spell out every tone of the major scale. The movement from one chord to another creates the basic harmonic effects of all tonal music.

It is important to memorize the function of each chord as well as the other chords which relate to each chord family.

FUNCTIONS:
- Tonic Family
The function of the Tonic family is to temporarily, or permanently begin, or end a piece, or section of music.

- Sub Dominant Family
The function of the Sub-dominat family is to move-away from the tonic family and move toward the Dominant family.

- Dominant Family
The Dominant family wants to resolve back toward Tonic. The pull of the 3rd chord tone (the leading tone of the key - in the case of C Major it is a B note) combined with the root of this chord (in Cmajor it is a G note) being out by a fifth. And, the major second interval of the chords 5th chord tone, (in C major it is a D note) all work together by surrounding the arrival of the movement toward notes of the Tonic chord. In the end the result is a very strong resolution. In Classical theory it is referred to as an Authentic Cadence.

To Read the complete article and listen to audio examples of this theoretical concept in use, please visit CreativeGuitarStudio.com

Folk Fingerstyle - Part One



Viewers Question:

Q: My favorite type of guitar playing is folk fingerstyle. Last month, I watched your YouTube Fingerstyle Guitar Primer video lesson that you posted in March of 2009.
I have purchased your Accelerated Learning ebook and I am practicing using the learning how to learn techniques.

In the last few weeks, I have made a proper practice schedule and I must say I have developed a lot of the techniques in your first video on fingerstyle guitar. In short, I am ready for more fingerstyle! Can you please re-visit the world of fingerstyle guitar once again? If so, can you please focus on some pattern playing in the Folk Fingerpicking style?

Thank you, Dillan, Ireland

A: Thanks Dillan! The video lesson I have organized for you covers a piece from my 1996 Acoustic Guitar album, Acoustic Highway. It is a great example of how, by using only a few simple patterns, any beginner or intermediate fingerpicker can compose a complete piece of music! Part One, covers the verse of the piece in detail. And, Part Two goes over the bridge and chorus. Hope you enjoy working on this material. It was a lot of fun to put the lesson together. All the very best - Andrew Wasson

Progressive Metal: Riff Building



Back in the sixties and seventies progressive rock bands like King Crimson, Yes and Jethro Tull pushed rock into new artistic directions. In recent years progressive metal bands like; Iron Maiden, Dream Theater and Opeth have built on the platform of this style taking it even further.

The concept with this style of music is that of blending the heavy metal overdrive sound of electric rock guitar with the structure of classical, jazz and world music. The main difference between rock and progressive metal is the complexity of prog. metal's arrangements. In standard radio friendly rock, the song structures are more like typical pop songs with verse, bridge chorus arrangements. This works well for the average radio station keeping with it's popularity approach for more friendly palatable music on the airwaves. One listen to any progressive metal tune awakens the listener to multiple sections of a piece often moving through different keys and time signatures. And, having long playtimes of 5-7 min. or longer. Certainly more creative and complex, however obviously not very radio friendly.

Read the full article and download FREE charts and an MP3 Jam-a-long track at CreativeGuitarStudio.com

The Chords of "Smooth Jazz" - Part One



Andrew Wasson of Creative Guitar Studio answers a viewers question...

Q: Can you do a video that looks at the really cool sounding chords played by guys like Larry Carlton and Lee Ritienour? I always hear them in the smooth jazz tunes, and it sounds like you play them in your music too. By the way, how can I buy your album? I looked on your website and on iTunes, but there are no digital downloads for your stuff?
Thanks,
Reno, NYC

The chord types used in this style of music are mostly triad with a bass note style. I cover a number of the most popular types used in the video lesson. Visit the Creative Guitar Studio website to get a FREE chord handout PDF for this video lesson.

Follow the link below to get - Part Two - of; "The Chords of Smooth Jazz Guitar"

My Instrumental Smooth Jazz CD is available from off of my website as a digital download.