Saturday, December 13, 2008

Relative Importance of Notes in a Melody...

Quite a few people are having difficulty understanding why I have the Chord Analysis of the Coldplay piece in the key of, "F Minor." A number of readers believe the Coldplay piece is in; "Ab Major."

Many of you seem to be looking at this set of chords as if they are standing alone... The Chord Changes are not standing alone they have a MELODY behind them. If they were without melody the Coldplay progression could be played over/analyzed in; Ab Major, or even Db Lydian Mode, or in F Aeolian...

The resolutions of the vocal melody are what I am basing my chord analysis upon. Keep in mind that chord changes are only the backdrop for melodic contour. And, the last note, (and to a lesser extent the first note), of a melodic phrase is heard as more important than others - it generates melodic resolution and determines the structure of the chords appearing behind the melody line.

Take a look at the following melody...




The melody has one sharp in it's key signature. It begins on "B," and it ends on "G." The key signature of one sharp is the key of, "G Major." Is the melody in "E Minor?" Of course not, the melody is in, "G Major." Keep in mind that there are no chords given in the above example, only a melody. How do we then know that it is for certain in, "G major?" Because of the Melodic Contour. It's curve, (pitch climax), is to a "G."

The starting note of the above melody is, "B," and this is the third degree of the scale, (and the 3rd of the G major chord). The ending note of this melody is "G," the root of the key center chord and therefore the tonic of the melodic contour. If the line ended on an, "E," we would be analyzing the contour as, "E Natural Minor (Aeolian).

Note:
The terms "root, " and, "tonic," are often used interchangeably, however they are not the same. The term, "root," applies to chords, and "tonic," applies to scales and key centers.


Now, let's look at another melody:









The Key Signature states 4 flats, (the key of Ab Major). However, what is the motion of the melodic contour? Remember, we are looking for the destination pitch to determine the resolving note generating the strongest sense of melody resolution. The curve ends at an, "F." Thus, determining a sense of arrival to the destination of the tonal center. The resolution is showing this is a Minor Tonality key center.

The above melody is the transcribed vocal melody line from:
"Viva la Vida."

The key is; "F MINOR, (Aeolian)."

Wednesday, December 10, 2008

Simular Gary Moore Case to Satriani's...

Ex-Thin Lizzy Guitarist Loses German Plagiarism Case:

December 5, 2008 BERLIN (Reuters) – A German court has ordered former Thin Lizzy guitarist Gary Moore to pay damages after ruling the guitar solo in his 1990 hit "Still Got the Blues" had been plagiarized from a German song written in 1974.
A court in the southern city of Munich said on Wednesday the solo in Moore's song was too similar to the one in "Nordrach" by the band Jud's Gallery not to have been copied -- even though the German song was not even available on record at the time! In a statement, the court ordered Moore, 56, from Northern Ireland, and his record label to pay damages to band leader Juergen Winter who brought the case to court. No amount has yet to be fixed. Moore had denied knowing the song, which the court said could only have been heard live or on radio at the time, (1974). The court said it had no evidence the solo had been lifted deliberately, but that this was immaterial in copyright infringement. Moore can appeal against the decision.

"Still Got the Blues" was the title track on Moore's album of the same name, one of the guitarist's most successful records. According to online chart database everyhit.com the single reached 31 in the British singles charts in May 1990. Moore played with Thin Lizzy for a few months in 1974 and again in 1978-79 before leaving the Irish band to start a solo career.

This decision was made the day before Satriani filed against Coldplay. It might be why Satriani decided to go forward with his lawsuit. It all really makes you think about the possibility of a lot more lawsuits that might be on their way!

Compare the songs for yourself... 1st
the song, "Nordrach," by Jud’s Gallery...




And now Gary Moore's song... "Still Got The Blues."